a recording of prelude in d-flat major by chopin

It suddenly turned out, that what was previously very elusive, was finally 'stopped in time', to return to it repeatedly. When inventive thought bestowed humanity a gift in the form of sound recording devices, for music, more precisely for the act of musical performance, this was a turning point of the era. Of course this concerns the recording of piano works, because it turns out that two years earlier, in 1901, the German singer Katherina Senger-Bettaque, made a record of the song, A Wish. These were the first recordings of Chopin's works most frequently mentioned in sources. 64 no.2 and the Waltz in D flat major Op. The records of Vladimir de Pachmann come from the same year: Étude in B minor, Op. 1, played by Raoul Pugno (1852-1914), all recorded by the British firm 'Gramophone & Typewriter Ltd'. 2 played by Louis Diemer (1843-1919) and the Berceuse Op. 1 played by Józef Hofmann (1876- 1957), Nocturne in D flat major, Op. Works recorded at nearly the same time (by then on flat records - Emil Berliner's patent) included: Polonaise in A major Op.

Spanish pianist Joaquin Malats (1872-1912) then played the Waltz in C sharp minor Op. The phonograph and Edison's playing cylindersįor Chopin's discography everything was to begin in 1903.

The fascinating beginnings of Chopin's discography

A recording of prelude in d-flat major by chopin